slightly wonky

This has been a rather rough week.  A friend of mine, her two sons, and her husband died this week.  I won’t go into the details, as those are even worse.  I want to say something profound about the whole ordeal, and about her, but I’m at a bit of a loss.  I feel as if my brain stopped working this week…my thoughts have been stuck like a needle skipping on a record, repeating the same awful refrain.  Short periods of heartache and angst have been interspersed among longer periods of numbness.

I tried to find solace this week by going somewhere that I love:  The deCordova Museum.

I have been coming here ever since I moved to the area in 1998.  I find it to be peaceful and beautiful.  It truly feels like an escape to me.  This week, it helped provide me with fresh air and a necessary, albeit temporary, distraction.  While I walked around like a bit of a zombie, there were things that made me smile and appreciate that there is still beauty in this world.  I don’t mean beauty in a superficial sense, but beauty of thought and sensibility. I present to you what I saw at the museum…because I can’t talk or think about my sadness right now.

Orly Genger, Red, Yellow and Blue, deCordova Museum

It was a cold and clear day.  I aimlessly meandered through the grounds and was drawn to this new installation by Orly Genger.  I first saw her work at Mass MOCA.  This specific piece was originally commissioned for Madison Square Park in NYC.

Orly Genger, Red, Yellow and Blue, deCordova Museum

I love to knit, so the loopy, monumental, yet somehow furtive, quality of this work appeals to me.  I like that it becomes taller than a person at times, defying knitting’s typical scale and delicacy.

Orly Genger, Red, Yellow and Blue, deCordova Museum

It winds its way around, changing from red, to yellow, to blue.

Orly Genger, Red, Yellow and Blue, deCordova Museum

See how it winds around the grounds?  Knitting is very meditative, and I looked at all of the silent stitches and wondered about each one.

Inside the museum is the biennial exhibition…

Ethan Morrow, Flotilla (detail), ball point pen 

Morrow’s work fills the main staircase at the museum.  His drawings are amazing.  Detail:

Ethan Morrow, Flotilla (detail), ball point pen

Isn’t that breathtaking? He has drawn gorgeous, ethereal ships floating up the expanse of the stair wall.  He included historical details and text along with his drawings.  I bask in his drawing brilliance.  You must go see this.

Bahar Yurukoglu, Primodial Future, Mixed media installation with projection

Please take a look at Yurukoglu’s website…it’s very interesting.  I like bright colors and transparency, so I liked where this was going.  Everything was wall bound…and I kind of wished that there was even more, somehow.  Look at his website…lots of beautiful images and stunning photographs.

Laura Braciale, Rods and Cones, Mixed media installation

I liked this piece.  I liked the translation of these odd objects into flat, 2D paintings.  It looks like some kind of research project to me…an experiment in perception.  I also like all of the white space (of course.)  You’ll see that there are quite a few installation pieces in this biennial.

Xylor Jane, Magic Square for finding missing people,  Oil and colored pencil on panel

I really liked Jane’s work.  It felt very different to me.  At times, it almost seemed to be like a textile, with seams.  Her work was very bold.

Xylor Jane, Via Crucis XII,  Oil on panel

There is something both dark and menacing, and happy and lighthearted about this piece.  Overall, it’s chromatically dark…but you can see the sort of rainbow palette with almost heart shapes throughout.  What you can’t see in this photo is the beautiful use of textures…the main background is a matte black, and the colors are glossy dots in a grid.  So cool!

Xylor Jane, 2,3,5,7,  Oil, graphite, marker and colored pencil on panel

This was really fascinating.  This painting in particular felt like a quilt/textile…and yet it had such depth and transparency at the same time.

Xylor Jane, Nox Rex #26, Hypnos,  Oil on panel

This is an amazingly detailed pointillist painting.  I can’t help but think of The Matrix. (Perhaps, I shouldn’t admit that? Does that automatically make me a total philistine?)  Again, the grid and precision are rigid, but the undulating colors brings some levity to the piece.  I love how her four pieces worked together.

Petrova Giberson, Tree Flowers, Mixed media installation

I really liked how this piece and its shadows interacted.  It’s kind of like a sad, old comforter that somehow went to heaven.  It’s hard to see, but there is a line of threads hanging from the ceiling to the right of the comforter, which created an interesting threshold.  The whole piece had a very intriguing way of occupying the space.

Upstairs, there was more to see…

Rachel Gross, woodblock print and acrylic

First off, I want to apologize to Rachel Gross because I did not keep track of what the title of this piece is.  In any event, Gross’s work is stunning.  Her woodblock prints are some of the most beautiful that I’ve seen.  Please take a look at her blog.  I love the layering, textures, color palette, composition…everything.

Rachel Gross, Pink Box, Woodblock print with spray paint

I love the simplicity of this.  I love the crinkled paper and flat texture of the wood grain.  (I also love hot pink…)

Hamra Abbas, Kaaba Pictures 1-7, archival pigment prints on dibond

Again, my apologies to Hamra Abbas, as I don’t know which number this work is in the series.  Abbas does miniature paintings of the Kaaba, contemplating its historic, religious, and everyday influence.  She then has the miniature paintings photographed and enlarged to form these prints.  They have a mysterious and atmospheric feel to them.

Hamra Abbas, Kaaba Pictures 1-7, archival pigment prints on dibond

This is so luminous…with both flatness and three dimensionality…

Hamra Abbas, Kaaba Pictures 1-7, archival pigment prints on dibond

This has a fairytale feel to it…beautiful!

The final artist that I’m going to show is someone who’s work I love, and who I managed to meet at an open studio that he had.

Anthony Palocci, Jr., Empty Fridge, oil on canvas

Don’t you love it?  He just looks at everyday household objects and reinvents them.  Brilliant.

Anthony Palocci, Jr., T.V., oil on canvas

I love the cold glow of this T.V. So amazing…

Anthony Palocci, Jr., Phone Call, oil on canvas

I love this too!  It’s sort of humorous…but there is something “vacant” about all of his work.  The viewer is looking at these objects distilled to pattern and value.  They’re so ubiquitous, yet now they have a sort of uncanny feel to them…

Anthony Palocci, Jr., Window Fan, oil on canvas

This is a large painting.  Take a look at his website to get a sense how how large it is.  It’s as if something that is normally forgotten and silent has somehow been given a voice.

Anthony Palocci, Jr., A/C, oil on canvas

I took a photo of this painting with context, so that you can see some of what I perceive as the humor in this work.  It doesn’t look odd to see an A/C unit sticking out of a wall…but this is a painting, of course.  I thought this was a wry location for the work…

Well, I’m signing off. It’s been a long week.

On Tuesday, there will be a vigil held for my friend and her family.  If you’re in the Arlington, MA area and would like the details…let me know.

Peace be with them…